Foreword / YouTube Video Review

I was loaned these by a viewer to review. I was not paid nor did I receive any other form of compensation for this review.

All my reviews are done on my own time with great care to give you all the best set of data and information I can provide in order to help you make a well-informed purchase decision. I offer this for free to all who are interested. In return, if you want to support this site please see the bottom of this review for ways you can help. It is greatly appreciated.

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The review on this website is a brief overview and summary of the objective performance of this speaker. It is not intended to be a deep dive. Moreso, this is information for those who prefer “just the facts” and prefer to have the data without the filler.

Manufacturer Specs:

• Product info:
  • built-in Wi-Fi for wireless music streaming when connected to a home network
  • Apple AirPlay® 2 lets you stream directly from an iPhone® or iPad® and ask Siri to play Apple Music®
  • Google Cast lets you stream from the cloud with compatible apps
  • Spotify Connect and TIDAL Connect let you stream directly from those two music apps
  • works as a Roon player (requires subscription and Roon Core running on your network)
  • Roon Core is media server software that runs on your computer, NAS drive, or other compatible hardware
  • supports UPnP for playing music files from your local network
• Performance specs:
  • frequency response: 14-35,000 Hz
  • 1,100 watts total amplification
  • maximum volume: 108 dB SPL
  • features exclusive Devialet technologies: ADH® next-gen, SAM®, HBI®, DAC Magic Wire®, and Devialet ASIC
• Devialet app:
  • free download from Apple® App store and Google Play store
  • app required for initial setup
  • control volume and play, pause, and skip tracks
• Connectivity:
  • dual-band Wi-Fi 6 (802.11ax, 2.4GHz/5GHz)
  • Ethernet port for a wired connection to your home network
  • Bluetooth 5.3 with AAC decoding for high-quality music streaming
  • Toslink optical digital input
  • supports up 24-bit/192kHz
• General info:
  • composite body with fiberglass reinforced internal shell, ABS external shell, and aluminum core
  • dimensions: 9-3/4"W x 10"H x 13-1/2"D
  • weight: 24.5 lbs.
  • warranty: 2 years

As of this writing MSRP is $3999/each.

CTA-2034 (SPINORAMA) and Accompanying Data

All data collected using Klippel’s Near-Field Scanner. The Near-Field-Scanner 3D (NFS) offers a fully automated acoustic measurement of direct sound radiated from the source under test. The radiated sound is determined in any desired distance and angle in the 3D space outside the scanning surface. Directivity, sound power, SPL response and many more key figures are obtained for any kind of loudspeaker and audio system in near field applications (e.g. studio monitors, mobile devices) as well as far field applications (e.g. professional audio systems). Utilizing a minimum of measurement points, a comprehensive data set is generated containing the loudspeaker’s high resolution, free field sound radiation in the near and far field. For a detailed explanation of how the NFS works and the science behind it, please watch the below discussion with designer Christian Bellmann:

IMPORTANT SETUP INFO: This speaker was measured with the reference point at the tweeter. Speaker was broken in. DSP settings were “default” with no EQ or other settings enabled.

Measurements are provided in a format in accordance with the Standard Method of Measurement for In-Home Loudspeakers (ANSI/CTA-2034-A R-2020). For more information, please see this link.

CTA-2034 / SPINORAMA:

The On-axis Frequency Response (0°) is the universal starting point and in many situations it is a fair representation of the first sound to arrive at a listener’s ears.

The Listening Window is a spatial average of the nine amplitude responses in the ±10º vertical and ±30º horizontal angular range. This encompasses those listeners who sit within a typical home theater audience, as well as those who disregard the normal rules when listening alone.

The Early Reflections curve is an estimate of all single-bounce, first-reflections, in a typical listening room.

Sound Power represents all of the sounds arriving at the listening position after any number of reflections from any direction. It is the weighted rms average of all 70 measurements, with individual measurements weighted according to the portion of the spherical surface that they represent.

Sound Power Directivity Index (SPDI): In this standard the SPDI is defined as the difference between the listening window curve and the sound power curve.

Early Reflections Directivity Index (EPDI): is defined as the difference between the listening window curve and the early reflections curve. In small rooms, early reflections figure prominently in what is measured and heard in the room so this curve may provide insights into potential sound quality.

Early Reflections Breakout:

Floor bounce: average of 20º, 30º, 40º down

Ceiling bounce: average of 40º, 50º, 60º up

Front wall bounce: average of 0º, ± 10º, ± 20º, ± 30º horizontal

Side wall bounces: average of ± 40º, ± 50º, ± 60º, ± 70º, ± 80º horizontal

Rear wall bounces: average of 180º, ± 90º horizontal

Estimated In-Room Response:

In theory, with complete 360-degree anechoic data on a loudspeaker and sufficient acoustical and geometrical data on the listening room and its layout it would be possible to estimate with good precision what would be measured by an omnidirectional microphone located in the listening area of that room. By making some simplifying assumptions about the listening space, the data set described above permits a usefully accurate preview of how a given loudspeaker might perform in a typical domestic listening room. Obviously, there are no guarantees, because individual rooms can be acoustically aberrant. Sometimes rooms are excessively reflective (“live”) as happens in certain hot, humid climates, with certain styles of interior décor and in under-furnished rooms. Sometimes rooms are excessively “dead” as in other styles of décor and in some custom home theaters where acoustical treatment has been used excessively. This form of post processing is offered only as an estimate of what might happen in a domestic living space with carpet on the floor and a “normal” amount of seating, drapes and cabinetry.

For these limited circumstances it has been found that a usefully accurate Predicted In-Room (PIR) amplitude response, also known as a “room curve” is obtained by a weighted average consisting of 12 % listening window, 44 % early reflections and 44 % sound power. At very high frequencies errors can creep in because of excessive absorption, microphone directivity, and room geometry. These discrepancies are not considered to be of great importance.

Horizontal Contour Plot (normalized):

Vertical Contour Plot (normalized):

Additional Measurements

Response Linearity

Horizontal Frequency Response:

Vertical Frequency Response:

Step Response

Group Delay

Burst Decay

This data is full anechoic where most spectral decay type graphics are created using quasi-anechoic data. For more information on the differences between Burst Decay and Cumulative Spectral Decay (CSD) graphics please see Section 6.5 of the ARTA User Manual linked below. I would like to extend a professional "thank you" to Ivo Mateljan for this software.

ARTA User Manual

Harmonic Distortion

Harmonic Distortion at 86dB @ 1m:

Harmonic Distortion at 96dB @ 1m: No Test - Clipped the Input

Dynamic Range (Instantaneous Compression Test)

The below graphic indicates just how much SPL is lost (compression) or gained (enhancement; usually due to distortion) when the speaker is played at higher output volumes instantly via a 2.7 second logarithmic sine sweep referenced to 76dB at 1 meter. The signals are played consecutively without any additional stimulus applied. Then normalized against the 76dB result.

The tests are conducted in this fashion:

1. 76dB at 1 meter (baseline; black)
2. 86dB at 1 meter (red)
3. 96dB at 1 meter (blue)
4. 102dB at 1 meter (purple)

The purpose of this test is to illustrate how much (if at all) the output changes as a speaker’s components temperature increases (i.e., voice coils, crossover components) instantaneously.

Multitone Distortion

The following tests are conducted at (4) approximate equivalent output volumes: 70/79/87/96dB @ 1 meter. The (4) voltages listed in the legend result in these SPL values. This test signal is dense, similar to pink noise and excites the entire spectrums listed below at the same time. The test signal lasts 30 seconds. This is different than the sine wave test signal used to measure frequency response. The purpose of this distortion and compression test is to illustrate how much (if at all) the output changes as a speaker’s components temperature increases (i.e., voice coils, crossover components) over time.

Given the test signal is similar to pink noise and exciting the entire spectrum at the same time I also include compression results, which is captured at the same time distortion is captured. Sometimes these results differ from the compression results you see above (namely with powered designs incorporating DSP-based limiting).

Note: The KLIPPEL software shows compression in the positive scale.

The test was conducted in (3) manners:

1. Full bandwidth (20Hz to 20kHz)
2. 80Hz to 20kHz

The reason for the two measurements is to simulate running the speaker full range vs using a high-pass filter at 80Hz. However, note: the 2nd test low frequency limit at 80Hz is a “brick wall” and doesn’t quite emulate a standard filter of 12 or 24dB/octave. But… it’s close enough to illustrate the point.

1. Full bandwidth (20Hz to 20kHz)

2. 80Hz to 20kHz

Parting / Random Thoughts

The Devialet Phantom Ultimate 108dB is an unusual speaker to evaluate because it is fundamentally different from a conventional passive hi-fi loudspeaker. It is an active, heavily DSP-controlled, self-contained “lifestyle” speaker designed to produce substantial bass and output from a remarkably compact enclosure. Viewed from that perspective, there is quite a lot to be impressed by here. The measurements show exceptional bass extension for the physical size of the speaker, generally smooth directivity, good spatial consistency, and very high output capability for such a compact system. The tradeoff is that the speaker relies heavily on DSP and dynamic limiting as playback level increases, particularly at the frequency extremes.

Ultimately, I would not judge the Phantom Ultimate by asking whether it behaves exactly like a traditional passive hi-fi speaker. It doesn’t. The more appropriate question is whether Devialet has successfully traded size, bass extension, distortion, output capability, and DSP intervention against one another. From the measurements, I think the answer is largely yes.At normal and moderately high listening levels, the Phantom Ultimate provides genuinely deep bass, broad room coverage, and substantial output from an enclosure that is extraordinarily small relative to its acoustic capability. Push it toward its limits and the DSP becomes increasingly aggressive, sacrificing deep-bass extension and altering the spectral balance to keep the system operating safely.That behavior should be understood as part of the design rather than treated as an unexpected failure. For someone looking for a conventional reference loudspeaker, there are certainly more neutral options. But as a compact, self-contained lifestyle speaker capable of producing legitimate deep bass and high playback levels without a separate amplifier or subwoofer, the objective performance is genuinely impressive.

That said, at $3999 for one, I can only recommend it if someone is looking for a powered lifestyle speaker with a very unique look.

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